The hardcore junglistic techno tracks of the early 90s were made by UK B-Boys (even the name suggests the stutter of a scratched record) who had kept their beloved turntables and breakbeats but artificially sped them up to match the artificially raised metabolisms of their audiences.
Hi Matt - came across your posts through the KM4Dev group. It is reminding me a lot of Venkatesh Rao's book Tempo: Timing, Tactics and Strategy in Narrative‑driven Decision-making. I'm only partway through it, but all seems relatively resonant.
It's also making me think a lot about an idea for anatomic time, Bergson's ideas of time as subjective durations, and pace layering.
Thanks - I hadn't come across the Rao book - so I obviously have to read it now. I would love to hear your thoughts on anatomic time and Bergson. Pace layering obviously originated in Duffy's work - before being popularised by Brand.
Hi Matt - came across your posts through the KM4Dev group. It is reminding me a lot of Venkatesh Rao's book Tempo: Timing, Tactics and Strategy in Narrative‑driven Decision-making. I'm only partway through it, but all seems relatively resonant.
It's also making me think a lot about an idea for anatomic time, Bergson's ideas of time as subjective durations, and pace layering.
Thanks - I hadn't come across the Rao book - so I obviously have to read it now. I would love to hear your thoughts on anatomic time and Bergson. Pace layering obviously originated in Duffy's work - before being popularised by Brand.